Atkinson, Anna Louise. “Fruitful in the Land of My Affliction: Narratives of Captivity and Female Self-Fashioning, 1666–1824.” PhD diss., Queen’s University, 2001.

Bowles-Smith, Emily. “Perfect Patterns of Conjugal Love and Duty: George Ballard’s Domestic Ideologies in His Lives of Elizabeth Egerton and Margaret Cavendish.” Age of Johnson: A Scholarly Annual (19) 2009: 167–85.

Clucas, Stephen, ed. A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle. Aldershot: Ashgate, 2003.

D’Addario, Christopher. “From the Stillroom to the Royal Society: Early Modern Women in Science.” Huntington Library Quarterly 74, no. 4 (2011): 611–16.

Davis, Natalie Zemon. “Gender and Genre: Women as Historical Writers, 1400–1820.” In Beyond Their Sex: Learned Women of the European Past, edited by Patricia H. Labalme, 153–82. New York: New York University Press, 1980.

Dear, Peter. “A Philosophical Duchess: Understanding Margaret Cavendish and the Royal Society.” In Science, Literature, and Rhetoric in Early Modern England, edited by Juliet Cummins and David Burchell, 125–44. Aldershot: Ashgate, 2007.

de Santis, Maria. “Projecting a New Science: Restoration and Eighteenth-Century Scientific Method.” PhD diss., Columbia University, 1992.

Donovan, Josephine. “Women and the Rise of the Novel: A Feminist-Marxist Theory.” Signs: Journal of Women in Culture & Society 16, no. 3 (1991): 441–62.

Dowd, Michelle M., and Julie A. Eckerle, eds. Genre and Women’s Life Writing in Early Modern England. Aldershot: Ashgate, 2007.

Eger, Elizabeth. “Paper Trails and Eloquent Objects: Bluestocking Friendship and Material Culture.” Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies 26, no 2 (2009): 109–38.

Fitzmaurice, Susan. The Familiar Letter in Early Modern English. Philadelphia: John Benjamins, 2002.

Ingram, Randall. “First Words and Second Thoughts: Margaret Cavendish, Humphrey Mosley, and ‘the Book.’” Journal of Medieval and Early Modern Studies 30, no.1 (2000): 101–24.

Iyengar, Sujata. “Royalist, Romanticist, Racialist: Rank, Gender, and Race in the Science and Fiction of Margaret Cavendish.” In Ashgate Critical Essays on Women Writers in England 1500–1700: Margaret Cavendish, edited by Sara H. Mendelson, 331–72. Farnham: Ashgate, 2009.

Katritzky, M.A. Women, Medicine and Theatre, 1500–1750: Literary Mountebanks and Performing Quacks. Aldershot: Ashgate, 2007.

Khanna, Lee Cullen. “Utopian Exchanges: Negotiating Difference in Utopia.” In Gender and Utopia in the Eighteenth Century, edited by Nicole Pohl and Brenda Tooley, 17–37. Aldershot: Ashgate, 2007.

Kramer, Annette Felice. “Intriguing Differences: Plotting and Gender in Seventeenth and Eighteenth-Century Women’s Drama.” PhD diss., Brown University, 1994.

Poole, William. “Francis Godwin, Henry Neville, Margaret Cavendish, H.G. Wells: ‘Some Utopian Debts.’” ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 16, no. 3 (2003): 12–18.

Price, Bronwen. “Feminine Modes of Knowing and Scientific Enquiry: Margaret Cavendish’s Poetry as Case Study.” Women and Literature in Britain, 1500–1700, edited by Helen Wilcox, 117–39. Cambridge: Cambridge University Press, 1996.

Rex, Michael. “The Heroines’ Revolt: English Women Writing Epic Poetry, 1654–1789.” PhD diss., Wayne State University, 1998.

Rich, Adrienne. “The Women Poets in English.” New York Times, April 15, 1973.

Rudan, Paola. “Il Centro Eccentrico: Le Donne, Il Femminismo e Il Soggetto a Sesso Unico.” Filosofia Politica 25, no. 3 (2011): 365–83.

Rowton, Frederick. Female Poets of Great Britain. Philadelphia: Henry C. Baird, 1853. Reprint, Detroit: Wayne State University Press, 1981.

Spinner, Jenny. “On Women and the Essay: An Anthology from the Seventeenth Century to the Present.” PhD diss., University of Connecticut, 2004.

Sullivan, Patricia A. “Education and the Style of Seventeenth Century Women Writers: The Case of Margaret Cavendish.” Master’s Thesis, St. Louis University, 1975.

Suzuki, Mihoko. “Recognizing Women’s Dramas as Political Writings: The Plays of 1701 by Wiseman, Pix and Trotter.” Women’s Writing 18, no. 4 (2011): 547–64.

Todd, Janet. The Sign of Angellica: Women, Writing, and Fiction, 1660–1800. London: Virago, 1989.

Tomlinson, Sophie Eliza. “Too Theatrical? Female Subjectivity in Caroline and Interregnum Drama.” Women’s Writing 6, no. 1 (1999): 65–79.

Wallraven, Miriam. “‘Authoress of a Whole World’: The Empowerment and Narrative Authority of 17th– and 18th– Century English Women Writers in Real and Fictional Travelogues.” In-between: Essays and Studies in Literary Criticism 13, no. 2 (2004): 135–49.

Williams, Matthew. “‘Great Anarch’s Ancient Reign Restor’d’: Menippean Satire and the Politics of Knowledge in the British Enlightenment.” PhD diss., City University of New York, 2008.

Wilputte, Earla. “Margaret Cavendish’s Imaginary Voyage to The Blazing World: Mapping a Feminine Discourse.” In TransAtlantic Crossings: Eighteenth-Century Explorations, edited by Donald W. Nichol, 109–17. St. John’s: Memorial University of Newfoundland, 1995.

Worsley, Lucy. “Changing Notions of Authenticity: Presenting a Castle Over Four Centuries.” International Journal of Heritage Studies 10, no. 2 (2004): 129–49.