Borlik, Todd Andrew. “The Whale under the Microscope: Technology and Objectivity in Two Renaissance Utopias.” In Philosophies of Technology: Francis Bacon and His Contemporaries, edited by Claus Zittel, Gisela Engel, Romano Nanni, and Nicole Karafyllis, 231–49. Leiden: Brill, 2008.

Bowerbank, Sylvia. “The Spider’s Delight: Margaret Cavendish and the ‘Female’ Imagination.” English Literary Renaissance 14, no. 3 (1984): 392–408.

Boyle, Jennifer Ellen. “The Anamorphic Imagination: Embodying Perspective in Seventeenth- and Eighteenth-Century Literature and Science.” PhD diss., University of California, Irvine, 2003.

—. Anamorphosis in Early Modern Literature: Mediation and Affect. Burlington: Ashgate, 2010.

Cunning, David. “Cavendish on the Intelligibility of the Prospect of Thinking Matter.” History of Philosophy Quarterly 23, no. 2 (2006): 117–36.

Fitzmaurice, James. “The Cavendishes, the Evelyns, and Teasing in Verse and Prose.” Quidditas: Journal of the Rocky Mountain Medieval and Renaissance Association 16–17 (1995–1996): 161–86.

Plastina, Sandra. “Donne e Animali: Papere, Cani e Galline.” Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-Testuali. 17, no. 1 (2011): 151–62.

Rees, Emma L.E. Margaret Cavendish: Gender, Genre, Exile. Manchester: Manchester University Press, 2003.

Robinson, Leni Katherine. “A Figurative Matter: Continuities Between Margaret Cavendish’s Theory of Discourse and her Natural Philosophy.” Vancouver: University of British Columbia, 2010.

Tomlinson, Sophie. “‘My Brain the Stage’: Margaret Cavendish and the Fantasy of Female Performance.” In Women, Texts, and Histories, edited by Diane Purkiss and Clare Brant, 133–162. London: Routledge, 1992.

Wolloch, Nathaniel. “Animals, Extraterrestrial Life and Anthropocentrism in the Seventeenth Century.” Seventeenth Century 17, no. 2 (2002): 235–53.

Worsley, Lucy, and Tom Addyman. “Riding Houses and Horses: William Cavendish’s Architecture for the Art of Horsemanship.” Architectural History 45 (2002): 194–229.