Bennett, Alexandra G.“‘Yes, and’: Margaret Cavendish, the Passions and Hermaphrodite Agency.”In Early Modern Englishwomen Testing Ideas, edited by Jo Wallwork and Paul Salzman, 75–88. Burlington: Ashgate, 2011.
Bertrand, Ingrid. “Filling in What Was Left Out: Voices and Silences of Biblical Women.” In Voices and Silence in the Contemporary Novel in English, edited by Vanessa Guignery, 112–29. Newcastle upon Tyne: Cambridge Scholars Publishing, 2009.
Broad, Jacqueline. “Margaret Cavendish and Joseph Glanvill: Science, Religion, and Witchcraft.”” Studies in History and Philosophy of Science 38, no. 3 (2007): 493–505.
Buck, Charles. Anecdotes Religious, Moral, and Entertaining Alphabetically Arranged: and Interspersed with a Variety of Useful Observations: Selected by Charles Buck.London: T. Chapman, 1799.
Chao, Tien-yi. “Representations of Female Sainthood and Voluntary Death in Margaret Cavendish’s ‘the She-Anchoret’ (1656).” English Studies 92, no. 7 (2011): 744–55.
Classen, Constance. The Color of Angels: Cosmology, Gender, and the Aesthetic Imagination. London: Routledge, 1998.
Clucas, Stephen. “The Duchess and the Viscountess: Negotiations between Mechanism and Vitalism in the Natural Philosophies of Margaret Cavendish and Anne Conway.” In-between: Essays and Studies in Literary Criticism 9, no. 1–2 (2000): 125–36.
—, ed. A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle. Aldershot: Ashgate, 2003.
Cunning, David. “Margaret Lucas Cavendish.” In The Stanford Encyclopedia of Philosophy, edited by Edward N. Zalta. Last modified May 24, 2012. http://plato.stanford.edu/archives/sum2012/entries/margaret-cavendish/
Demers, Patricia. Women’s Writing in English: Early Modern England. Buffalo: University of Toronto Press, 2005.
DeRosa, Robin. “‘What Have I On a Petticoat?’: The Convent of Pleasure and the Reality of Performance.” Postscript: A Journal of Graduate School Criticism and Theory 5, no. 2 (2000): 79–90.
Detlefsen, Karen. “Margaret Cavendish on the Relation between God and World.” Philosophy Compass 4, no. 3 (2009): 421–38.
Dodds, Lara. “Margaret Cavendish’s Domestic Experiment.” In Genre and Women’s Life Writing in Early Modern England, edited by Michelle M. Dowd and Julie A. Eckerle, 151–68. Aldershot: Ashgate, 2007.
—. “‘Poore Donne was out’: Reading and Writing Donne in the Works of Margaret Cavendish.” John Donne Journal: Studies in the Age of Donne 29 (2010): 133–74.
Dowd, Michelle M., and Julie A. Eckerle, eds. Genre and Women’s Life Writing in Early Modern England. Aldershot: Ashgate, 2007.
Fitzmaurice, James. “Shakespeare, Cavendish, and Reading Aloud in Seventeenth-Century England.” In Cavendish and Shakespeare, Interconnections, edited by Katherine Romack and James Fitzmaurice, 29–46. Aldershot: Ashgate, 2006.
—. “The Cavendishes, the Evelyns, and Teasing in Verse and Prose.” Quidditas: Journal of the Rocky Mountain Medieval and Renaissance Association 16–17 (1995–1996): 161–86.
Fowler, Ellayne. “Margaret Cavendish and the Ideal Commonwealth.” Utopian Studies7, no. 1 (1996): 38–48.
Hair, Christopher Richard. “Seventeenth Century Discord and the Paradise Within: Genesis in the Works of Winstanley, Milton, Hutchinson, and Cavendish.” PhD diss., University of Kentucky, 2005.
—. “The Flaw in Paradise: The Critique of Idealism in Margaret Cavendish’s The Blazing World.”Renaissance Papers (2007): 55–67.
Hatfield, Gary C.. “Force (God) in Descartes’ Physics.” Studies in History and Philosophy of Science 10, no. 2 (1979): 113–40.
Hinds, Hilary.God’s Englishwomen: Seventeenth-Century Radical Sectarian Writing and Feminist Criticism. Manchester: Manchester University Press, 1996.
Kelly, Erna. “Drama’s Olio: A New Way to Serve Old Ingredients in The Religious and The Matrimonial Trouble.”In Cavendish and Shakespeare, Interconnections, edited by Katherine Romack and James Fitzmaurice, 47–62. Burlington: Ashgate, 2006.
—. “Playing with Religion: Convents, Cloisters, Martyrdom, and Vows.” Early Modern Literary Studies Special Issue 14 (2004): 4.1–24.
Lilley, Kate. “Contracting Readers: ‘Margaret Newcastle’ and the Rhetoric of Conjugality.” In A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle, edited by Stephen Clucas, 19–39. Aldershot: Ashgate, 2003.
Malcolmson, Cristina. Race, Religion and Science in the Works of Robert Boyle and Margaret Cavendish. Aldershot: Ashgate, 2007.
Micros, Marianne.“‘A World of My Own’: John Milton’s and Margaret Cavendish’s Reflections of Paradise.”Cithara: Essays in the Judaeo-Christian Tradition 43, no. 1 (2003): 3–24.
Nelson, Holly Faith, and Sharon Alker. “Writing ‘Science Fiction’ in the Shadow of War: Bodily Transgressions in Cavendish’s Blazing World.” In Travel Narratives, the New Science, and Literary Discourse, 1569–1750, edited by Judy A. Hayden, 103–21.Burlington: Ashgate, 2012.
Norbrook, David. “Women, the Republic of Letters, and the Public Sphere in the Mid-Seventeenth-Century.” Criticism: A Quarterly for Literature and the Arts 46, no. 2 (2004): 223–40.
Perry, Henry Ten Eyck. The First Duchess of Newcastle and Her Husband as Figures in Literary History. Boston: Ginn and Company, 1918.
Price, Bronwen. “Journeys Beyond Frontiers: Knowledge, Subjectivity and Outer Space in Margaret Cavendish’s The Blazing World (1666).” In The Arts of 17th-Century Science: Representations of the Natural World in European and North American Culture, edited by Claire Jowitt and Diane Watt, 127–45. Aldershot: Ashgate, 2002.
Chalmers, Hero, Julie Sanders, and Sophie Tomlinson. Three Seventeenth-Century Plays on Women and Performance. Manchester: Manchester University Press, 2006.
Rex, Michael. “The Heroines’ Revolt: English Women Writing Epic Poetry, 1654–1789.” PhD diss., Wayne State University, 1998.
Ruether, Rosemary Radford. “Prophets and Humanists: Types of Religious Feminism in Stuart England.” The Journal of Religion 70, no. 1 (1990): 1–18.
Salzman, Paul. English Prose Fiction, 1558–1700: A Critical History. Oxford: Clarendon Press, 1985.
—. Reading Early Modern Women’s Writing. Oxford: Oxford University Press, 2006.
Schwarz, Kathryn. “Chastity, Militant and Married: Cavendish’s Romance, Milton’s Masque.” In Publications of the Modern Language Association of America 118, no. 2 (2003): 270–85.
Shaver, Anne. “Agency and Marriage in the Fictions of Lady Mary Wroth and Margaret Cavendish, Duchess of Newcastle.” In Pilgrimage for Love: Essays in Early Modern Literature in Honor of Josephine A. Roberts, edited by Sigrid King and Josephine A. Roberts, 177–90. Tempe: Arizona Center for Medieval and Renaissance Studies, 1999.
Siegfried, Brandie R. “Anecdotal and Cabalistic Forms in Observations upon Experimental Philosophy.” In Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish, edited by Line Cottegnies and Nancy Weitz, 59–79. Cranbury: Associated University Presses, 2003.
Sierra, Horacio. “Convents as Feminist Utopias: Margaret Cavendish’s The Convent of Pleasure and the Potential of Closeted Dramas and Communities.” Women’s Studies 38, no. 6 (2009): 647–69.
Stevenson, Jay. “Imagining the Mind: Cavendish’s Hobbesian Allegories.” In A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle, edited by Stephen Clucas, 143–55. Aldershot: Ashgate, 2003.
—. “Physical Fictions: Margaret Cavendish and Her Material Soul.” PhD diss,. Rutgers University, 1997.
Summit, Jennifer. “Active and Contemplative Lives.” In Cultural Reformations: Medieval and Renaissance in Literary History, edited by Brian Cummings and James Simpson,527–53. Oxford: Oxford University Press, 2010.
Thell, Anne M.”The Power of Transport, the Transport of Power: Margaret Cavendish’s Blazing World.” Women’s Studies 37, no. 5 (2008): 441–63.
Wallraven, Miriam. “‘My spirits long to wander in the Air …’: Spirits and Souls in Margaret Cavendish’s Fiction between Early Modern Philosophy and Cyber Theory.” Early Modern Literary Studies Special Issue 14 (2004): 10.1–27.
Weitz, Nancy. “Romantic Fiction, Moral Anxiety, and Social Capital in Cavendish’s ‘Assaulted and Pursued Chastity’.” In Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish, edited by Line Cottegnies and Nancy Weitz, 145–60. Cranbury: Associated University Presses, 2003.
Wilson, Karen Ross. “Marriage and the Problem of Evil in Works by John Milton and Margaret Cavendish.” PhD diss., University of California, Davis, 2007.
Wiseman, Sue.“Margaret Cavendish Among the Prophets: Performance Ideologies and Gender In and After the English Civil War.” Women’s Writing 6, no. 1 (1999): 95-111.